Websites using bring him home as a keyword

Alleluia Ministries International has TENS OF THOUSANDS of members in Africa, Europe, and South America. In the past, the Pastor has come under fire for allegedly claiming to heal fake, dying patients. On his social media, he posted images of "dead" clients laying in hospital beds and then him bring them "back to lie." "There is NO sickness that Jehovah Rapha cannot heal. Is it HIV, is it cancer? Diabetes, arthritis, high/low blood, paralysis or back pains? There is nothing He cannot do. He lifted this woman from her bed of death as doctors had sent her home with no solution. Your solution is found in Jesus," he boasted. Social media swarmed him and told him to cut it out. The scandal obviously didn't hurt his career, and he has since become a billionaire, and he is not shy about flaunting his wealth. His works will come under immense scrutiny, and people will be looking to him to share the wealth with those less fortunate. How does he spend all that money? Well, when he's not doing charity, THIS is how he travels around the country

Official website for Australian stand-up comedian Jim Jefferies. Jefferies has made a cottage industry out of bad behavior. Never one to shy away from a drink, a smoke or a fight, Jefferies' confessional comedy style has won him fans and acclaim the world over. Jefferies immediately established himself as one of the foremost voices in edgy comedy, knowing just how to push the buttons of his audience and bring the house down with his brutal, unflinching honesty.

We bring cool concepts to lives. We sell innovative home decor, LED lights, mood lights, mobile accessories, electronics and gadgets.

Moraine Valley Church. Called to bring people to Jesus, a community committed to becoming more like Him!

Michael has an enthusiastic passion for The Brain! This has led him to specialise in NeuroPhysio, Brain Training and to bring Higher Brain Living* to the UK

iTunes presents Artist Wayne Atkinson

'I am standing on the threshold of another trembling world. May God have mercy on my soul.' With these words, IRA volunteer Bobby Sands began his hunger strike on March 1st 1981. Sands’ undoubted act of personal bravery brought Ireland to a standstill as the outside world looked on to see an intense battle unfold between an unseen prisoner and the might of the British Government. 66 DAYS tells the factual story of Bobby Sands’ life for the first time on film. As we step through the day-specific narrative, we reveal the man at the centre of events, in a probing personal portrait that separates man from myth, and fact from fiction. Seeing himself as a soldier in a conflict, Bobby Sands died for the right to be recognised as a political prisoner. He chose hunger strike, against the wishes of his movement’s leadership, in the full knowledge it would bring the world’s attention to his fight. Using eye-witness testimony, unseen archive, reconstructions and animation, this cinematic odyssey serves as both the definitive account of a self-created Irish martyr and a seismic moment in 20th century Irish history, the legacy of which we continue to live with today. In 66 DAYS we document an ordinary life lived at the epicentre of a turbulent and tragic conflict, which then became extraordinary as a young idealist starved himself to death to preserve the integrity of the republican movement he loyally served. The film charts sets how Sands became the architect of his own destiny, and saw him ascend into the ranks of international icon status. Sands own words form the heart of the film, through his many poems, letters and ‘comms’ all penned inside prison, and in particular, his personal diary which he kept for the first 17 days of his hunger strike. Sands’ collected writings provide an invaluable window into his beliefs, feelings and aspirations. They serve to place his voice at the centre of the film and take us inside his head, the place where Sands eventually found freedom. Sands’ prison diary is perhaps the most unique historical document in existence of one man’s articulation of his beliefs while on hunger strike. This powerful handwritten diary has never been seen before in public, and we have secured exclusive access to this historical treasure trove, which forms the spine of the film’s narrative. Threaded through Sands’ personal biography we bring our audience on a parallel journey of understanding to reveal the events that first politicised the young Sands and the influences of Irish Republican history on Sands’ actions which he learned during his imprisonment. In this regard, the film is as interested in the WHY of Bobby Sands’ story as it is the WHAT. Sands died on May 5th 1981, aged 27 and parliaments across the world stopped for a minute's silence in his honour. While Sands came to prominence in death, this film aims for the first time to explore his life, examining the powerful character he was as it charts the reasons he chose the death of a martyr. 66 DAYS unifies the myriad threads of the complex, 25-year long Northern Ireland conflict into one single overarching narrative. In the film’s final chapter, we capture Sands’ legacy. Former comrades and commentators reflect on how the 66 days of Sands’ 1981 hunger strike changed Irish history forever.

Atthar Mirza is a web developer, animator, and designer. He loves interactive graphics and 3D modeling because they allow him to extract the images in his brain and bring them to life. Most recently, Atthar Mirza works at the Atlantic as a professional animator and web developer, pitching and creating original work. He has been doing professional freelance work under the brand The Sitting Hun since 2012, and is thankful the Mayans were wrong because he was just getting started.