Websites using festival of art research as a keyword

SMPTE® 2017 Annual Technical Conference & Exhibition, Oct. 24-26 in Hollywood: Renowned Media and Entertainment Technology Event Will Follow Daylong SMPTE 2017 Symposium Focusing on AI and Machine Learning in Digital Media Creation SMPTE, the organization whose standards work has supported a century of advances in entertainment technology, has opened registration for the SMPTE 2017 Annual Technical Conference & Exhibition (SMPTE 2017), Oct. 24-26 in Hollywood, California, as well as for the SMPTE 2017 Symposium preceding the conference on Oct. 23. Early bird rates are available now through Aug. 12. SMPTE’s Annual Technical Conference & Exhibition is the world’s premier forum for the exploration of media and entertainment technology. Taking place at the Hollywood & Highland Center, the event will fill two exhibit halls and multiple session rooms. SMPTE 2017 will also feature a beer garden, Broadcast Beat’s SMPTE 2017 Live! Studio, and a series of special events culminating with the Annual SMPTE Awards Gala hosted in the Loews Hollywood Hotel’s Hollywood Ballroom on the evening of Thursday, Oct. 26. “The rapid pace of change in the media and entertainment industry makes the SMPTE Annual Conference & Exhibition a critically important event for anyone wishing to experience and understand the latest advances in motion-imaging and audio,” said SMPTE Education Vice President Richard Welsh. “For four days in October, Hollywood will be the place to learn about the research, standards, technologies, and techniques that are enabling amazing new experiences for media consumers worldwide.” Titled “Artificial Intelligence (AI) and Machine Learning in Digital Media Creation: The Promise, The Reality, and The (Scary?) Future,” the day-long SMPTE 2017 Symposium on Oct. 23 will examine how these technologies have gained significant traction in the creation of digital media. Presenters will offer practical use cases throught the production chain — including story and script development, music composition, contextual analysis of dailies, edit preparation, imaging processing, visual effects (VXF) preparation, and audience engagement, along with discoverability and distribution of content. Experts and visionaries in the field will assist attendees in establishing a firm foundation for understanding a technology which may eventually disrupt the media and entertainment industry. The Symposium is included with select conference packages or as an add-on or stand-alone registration. The SMPTE 2017 program committee is chaired by SMPTE Fellows Paul Chapman, senior vice president of technology at Fotokem; Thomas Edwards, vice president of technology and engineering at FOX; and Sara Kudrle, product marketing manager at Imagine Communications. Technical conference sessions will address topics including advances in display technologies; cinema processing and projection technology; larger color and dynamic range; compression; content management and storage, restoration, and preservation; content security; virtual, augmented, and mixed reality (VR, AR, and MR); media infrastructure (SMPTE ST 2110) and distribution; image acquisition and processing; new techniques in audio; quality assurance and monitoring;; workflow systems management; cloud technologies; and encouraging diversity technology. The conference and exhibition schedule includes the usual wealth of technical sessions and networking opportunities, as well as an array of special events. Monday, Oct. 23 • The SMPTE 2017 Symposium will take place throughout the day. SMPTE and Hollywood Professional Association (HPA) Women In Post will present the annual Women in Technology Luncheon, which provides guests the opportunity to discuss ways to increase diversity in the media and entertainment workplace. Tickets are available for purchase separately or as an add-on with conference registration. • The SMPTE-HPA Student Film Festival will highlight the creative use of technology to support the art and craft of storytelling. Screenings will showcase outstanding short films submitted by students from around the world. Tickets are available separately or as an add-on with conference registration. Tickets are free for students, and a donation to the SMPTE Education Fund is suggested for other attendees. Tuesday, Oct. 24 • Day one of the SMPTE 2017 technical conference sessions will feature the opening keynote. • The Ray Dolby and Centennial Exhibit Halls will open at noon. • The Fellows Luncheon, open exclusively to SMPTE Fellows and Life Fellows, will honor the industry leaders newly elevated to Fellow status. SMPTE Fellows who wish to attend must select tickets with their conference registration. • The SMPTE Annual General Membership Meeting is open to all conference attendees, and no separate ticket is required. • The Oktoberfest Reception in the Centennial Exhibit Hall is open to all attendees, and no separate ticket is required. Wednesday, Oct. 25 • Day two of the SMPTE 2017 technical conference sessions will extend the entire day. from 8:30 a.m. to 4:45 p.m. • The Ray Dolby and Centennial Exhibit Halls will open at 10:00 a.m., and an evening reception in the Ray Dolby Exhibit Hall is open to all conference attendees from 5:00-7:00 p.m.., No separate ticket is required. Thursday, Oct. 26 • Day three of SMPTE 2017 technical conference sessions will extend the entire day, with both exhibit halls open from 10:00 a.m. to 2:00 p.m. • The Annual SMPTE Awards Gala will welcome ticketed guests on the red carpet and treat them to a reception and dinner  honoring industry leaders. Tickets are available for purchase separately or as an add-on with conference registration. Tickets for many SMPTE 2017 events are limited, and early registration is encouraged. Early-bird registration pricing is available now through Aug. 12. Attendees also can save by taking advantage of the SMPTE group room rate at the Loews Hollywood Hotel, where a limited block of reduced-rate rooms will be available through Sept. 20, or while rooms remain available. In addition to registering, prospective exhibitors may still secure prime exhibit space now, and sponsorship opportunities are available. Further information about SMPTE 2017 and the SMPTE 2017 Symposium is available at www.smpte2017.org. Additional information about SMPTE is available at www.smpte.org. For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. SMPTE has developed thousands of standards, recommended practices, and engineering guidelines, more than 800 of which are currently in force today. SMPTE Time Code™ and the ubiquitous SMPTE Color Bars™ are just two examples of SMPTE’s notable work. As it enters its second century, SMPTE is shaping the next generation of standards and providing education for the industry to ensure interoperability as the industry evolves further into IT- and IP-based workflows. SMPTE’s global membership today includes more than 7,000 members: motion-imaging executives, creatives, technologists, researchers, and students who volunteer their time and expertise to SMPTE’s standards development and educational initiatives. A partnership with the Hollywood Professional Association (HPA) connects SMPTE and its membership with the businesses and individuals who support the creation and finishing of media content. Information on joining SMPTE is available at www.smpte.org/join. All trademarks appearing herein are the property of their respective owners.

Our advertising slogan archive comprises over 200,000 English language slogans. We offer fast efficient bespoke search services for advertisers. Our multiple databases cover unregistered, and hard to find slogans. Established over 15 years with impeccable credentials.

Memefest is a international network of good people interested in social change trough sophisticated and radical use of media and communication. We create, think, research, educate and work on the intersections of art/science/communication profession/activism/theory and practice.

John's Web pages have been a staple of the web since it's early days. Included are a tribute to Disneyland, a film festival (I'MB1FF), pages for John's band (The Liberal Materialists), some MPEG art pieces (Juxtapositions, The Pinata Incident) , some of John's best posts to talk.bizarre, John's journal of his hike up Mount Whitney, research papers by John, and a host of other personal information about John and his interests. Enjoy.

Dr David Kreps is an 'early adopter', pioneering thinker and commentator, with a fascination for technology and its impact upon society. A web developer since 1995, he did his PhD thesis on Cyborgism, and has become an expert in Web Accessibility, and explorer into the philosophy of Virtuality, and Cultural Identity in the Socially Networked society.

Johanna Lundberg (*Åland) is a Stockholm-based graphic designer and art director for print and digital. She works on a variety of projects from books and magazines to identities and websites. Her practice is based on a close dialogue with developers and editors alike. See Johanna [andnate.co](http://andnate.co) for recent online and interactive collaborations. For more information and proposals, please get in touch: [[email protected]](mailto:[email protected]) ## Selected digital work: - <Project name="The Year in Fashion 2017" hover-text="with Nate van der Ende, Emil Olsson, and Lyst, 2017" url="https://www.lyst.com/year-in-fashion-2017/"/> - <Project name="London Original Print Fair Exhibition Catalogue" hover-text="with Nate van der Ende, 2017" url="http://2017.londonoriginalprintfair.com/"/> - <Project name="Ilari Laamanen" hover-text="with Nate van der Ende, 2017" url="http://ilarilaamanen.com/"/> - <Project name="Studying truth with Wolfgang Tillmans" hover-text="with Nate van der Ende and Tate, 2017" url="http://www.tate.org.uk/whats-on/tate-modern/exhibition/wolfgang-tillmans-2017/studying-truth"/> - <Project name="Gut-Machine Poetry" hover-text="with Vincent de Belleval and Jenna Sutela, 2017" url="http://www.chain-getopyurt.me/"/> - <Project name="Garret Publications" hover-text="with Nate van der Ende, 2018" url="http://garret.fi/"/> - <Project name="Grotto Editions" hover-text="with Nate van der Ende, 2017" url="http://grotto.fi/"/> - <Project name="Anna Tuori" hover-text="with Nate van der Ende, 2017" url="http://annatuori.com/"/> - <Project name="New Degrees of Freedom" hover-text="with Nate van der Ende, 2013–2014" url="http://newdegreesoffreedom.com/"/> - <Project name="MOBIUS" hover-text="with Nate van der Ende, 2014" url="http://m0bius.net/"/> - <Project name="KOTI" hover-text="with Nate van der Ende, 2016" url="http://kotisleepover.com/"/> - <Project name="ADD" hover-text="with Nate van der Ende, 2013" url="http://add-lab.herokuapp.com/"/> - <Project name="eVOCAL" hover-text="with Vincent de Belleval, 2015" url="http://evoc.al/"/> - <Project name="ADD METAPHYSICS #2" hover-text="with Nate van der Ende, 2012"> - <Project name="Jenna Sutela" hover-text="with Nate van der Ende, 2014" url="http://jennasutela.com/archive"/> - <Project name="Vincent de Belleval" hover-text="with Vincent de Belleval, 2015" url="http://vincentdebelleval.com/"/> - <Project name="Dottir" hover-text="with Nate van der Ende, 2016" url="http://dottirlaw.com/"/> - <Project name="New Wave Company" hover-text="with Nate van der Ende, 2014" url="http://newwavecompany.co/"/> - <Project name="ADD METAPHYSICS #1" hover-text="with Nate van der Ende, 2012" url="http://addmetaphysics.addlab.fi/holding/"/> - <Project name="thisissand.com" hover-text="with Timo Koro and Jenna Sutela, 2008" url="http://thisissand.com/"/> ## Clients include: - Aalto University - The Architecture Foundation - Boden - dn&co - Dot. - Dottir - Financial Times - Finnish Cultural Institute in New York - The Finnish Institute in London - Fiskars - The Future Laboratory - Garret Publications - Global Color Research - Grafik Magazine - Grotto Editions - The Guardian - Helsinki Arts Initiative - Hertta Kiiski - Ilari Laamanen - Ink - Institut Finlandais - Jenna Sutela - Kuudes Kerros - London Original Print Fair - Lonely Planet - Lyst - Nike - OK Do - Soundtrack Your Brand - Suburbia - Tate - Time Out Magazine - University of the Arts Helsinki - Uusi Kaupunki - Wevolve - Viewpoint Magazine - YCN - Zak Group ## Exhibitions and Acknowledgments: - ARS17, Kiasma, Helsinki, 2017 - eVOCAL, Sinne Gallery, Helsinki, 2015 - Ophelia, SIC Gallery, Helsinki, 2014 - The Post-Human Era Became A Girl, South London Gallery, 2014 - Mänttä Art Festival, Finland, 2014 - Chairman of the Graphic Design Jury; Best of the Year Design and Advertising Awards, Finland, 2013 - Do not Shoot the Messenger, Design Museum Helsinki, 2013 - Antagon Biennial, Turku and Helsinki, 2013 - Vuoden Huiput Young Creatives Ladder, 2011 - FR.UK/UK.FR, Royal College of Art, London, 2011 - Helsinki Design Week, 2010 - Science Poems London, X Marks the Bökship, 2010 - Computer Art’s “Top Rising Stars in Design”, 2009 - Creative Review’s graduate special, 2008 - Helsinki Design Week, 2008 - Collect4 New Media Week, DegreeArt, London, 2008 - Polygon Show, London, 2007

PUTPUT is a interdisciplinary Swiss/Danish artist duo based in Copenhagen and working within the fields of conceptual still life photography, sculpture and publishing.

Evolving consciousness. We share Auroville`s social & spiritual experiment happening since February 1968 in the south of India. Interviews and sounds of the creative people in the International Community of Auroville.

Audiograft is an annual festival of Contemporary Experimental Music and Sound Art curated by the Sonic Art Research Unit (SARU) at Oxford Brookes University. The festival aims to engage the widest possible audience from Oxford and beyond with the challenging contemporary practices that are the focus of the Research Unit. This website details the forthcoming Audiograft Festival giving details on venues, artists, works, etc.

Liverpool Biennial presents a free festival of newly commissioned contemporary art from around the world. It takes place over 14 weeks every two years across the city in public spaces, galleries and online. The Biennial is underpinned by a year-round programme of research, education, residencies and commissions.

Rée de Smit. DANCE. CHOREOGRAPHY. INTERDISCIPLINARY PROJECTS

KIBLIX is an open code festival connecting art, technology and science. KIBLIX addresses two different aspects: the impact of science and technology on the social life of the individual, and an in-depth research into the secrets of science, which holds the key to our future. Both are trying to come up with the solutions to bridge the powerlessness of the individual in contemporary society.

The 5Point Film Festival is on a mission to inspire adventure of all kinds, to connect generations through shared experience and respect, to engage passion with a conscience, and to educate through film.