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"Ed is a great, soulful, swinging underrated player deserving of wider recognition." - Bill Milkowski 1/13/11" "An expressive instrumentalist, Cherry has a hip, melodic approach that is a refreshing contrast to guitarists who frequently resort to playing 'finger music', the execution of rapid streams of notes that serve no musical purpose other than to fill space"- Jim Ferguson: Jazztimes - 06/02 "Particularly dazzling - Cherry's guitar had the young bar crowd dancing" - Kay Cordtz : blues review-5/10 "But this album’s ace in the hole is guitarist Ed Cherry. “Blues drenched” is not a cliché when applied to Cherry. Every time he solos, a rapt calm descends and a timeless story begins, familiar yet still a revelation when told with blues truth." - from 10/9/12 JazzTimes review of virginia mayhew recording: "mary lou williams-the next 100years" "Dear Ed Recently I have heard you featured on WBGO and really took note... Great Expression, Ed... I Hear You, not just good jazz guitar or good musical vocabulary but you... That is a Deeper Accomplishment as far as I am concerned... when Who you are Speaks through the skill and development... Thank you Peace, Jeffrey Mironov" new york studio guitarist Born in New Haven,Connecticut, Ed moved to New York in 1978 to play guitar with Dizzy Gillespie from 1978 to 1992 performing in Gillespie's quartet, big band and with The United Nation Orchestra which recorded the Grammy Award-winning Live at Royal Festival Hall (Enja). Gillespie died in 1993, and Cherry released his first recording as a leader, 'First Take' (Groovin' High). That same year, Ed recorded with Paquito D'Riveras' small group and recorded "Havana Cafe" (Chesky Records). Ed also worked with composer/saxophonist Henry Threadgill for two years and recorded  three cds with Henry's 'Very Very Circus' group. In 1995, Cherry released his second project as a solo artist, entitled A Second Look (Groovin' High). During that same period Ed worked with Hammond organist John Patton recording three critically acclaimed cds with Patton's quartet-'Blue Planet Man','Minor Swing' and 'This ones for Jah'(DIW). From 1997 to 1998, Cherry worked in Roy Hargrove's “Crisol” Latin jazz band, which performed in Havana, Cuba. During this same period, he also worked w/baritone saxophonist, Hamiett Bluiett, recording  'With Eyes Wide Open' on Justin-Time records. In 2001, Cherry toured Europe for the first time with his own group. He also released his latest CD, The Spirit Speaks on the Canadian Justin Time label, inspired by the great jazz organist Jimmy Smith with whom he had also recently worked.Ed was asked to perform at the 'Vodaphone Madarao Jazz festival' in 2002 in Madarao Japan with his quartet featuring trumpeter Jon Faddis. In 2003 Ed performed with his quartet at Detroit Jazz Festival.  Right now,Ed is a member of vocalist Paula West quartet as well as leading his own trio. In addition to his stellar work as a sideman and as a critically acclaimed leader, Ed Cherry also has impressive credentials as a music educator. He taught guitar at Essex Community College in Newark, NJ from 1995 to 1996, and at the Henry Street Settlement in New York City from 1996 to 1997. He was also a faculty member at Montclair State University, School of Fine and Performing Arts for J.O.Y. (Jazz Opportunity for Youth).Ed is currently on staff at 'jazzmobile' here NYC.Ed's most current recording "it's all good" is available through  www.posi-tone.com    Recently Ed has been recording for L.A Jazz Juggernaught, Posi-Tone. His new release "Soul Tree" was just released to rave reviews. Critic's have called the recording....He currently has a winter tour coming up in France, Poland and will be a Lecturer at 2016 Festi-Jazz in St. Cezaire. Selected discography: Ed Cherry-first take - Ed Cherry-a second look - Ed Cherry-the spirits speak - Yoron Israel and organic-basic traneing - Hamiett Bluiett-with eyes wide open - Tribute to Grant Green - Mark Weinstein-three deuces - Paquito D'Rivera-havana cafe - Dizzy Gillespie-live in montreaux-1980 - Dizzy Gillespie-live at royal festival hall - Dizzy Gillespie-live at blues alley - Jon Faddis-hornucopia - Henry Threadgill-makin'....a move - Jared Gold-supersonic... Ed Cherry-it's all good * new release for 2016 on posi-tone records "soultree"  http://www.amazon.com/Soul-Tree-Ed-Cherry/dp/B019ZXS9ZU/ref=sr_1_1?s=music&ie=UTF8&qid=1453546461&sr=1-1&keywords=ed+cherry   CLICK HERE downbeat 'blindfold test' -march 2013 CLICK HERE Listed in: " The Great Jazz Guitarists-The Ultimate Guide" - Scott Yanow interview with 'jazz guitar life' http://www.jazzguitarlife.com/ed-cherry-interview-with-jazz-guitar-life/      

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Just a reminder, please take a moment to resubscribe to the blog if you are a wordpress.com user. Your reader will still read new posts, but you will no longer get emails until you resubscribe here. This will allow you to get email notifications from our new server. (The link is at the bottom of…

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The Akira Project is a crowd-sourced, non-profit project meant to create a live action fan trailer of AKIRA, the renowned manga-turned-anime film from the late 1980′s; a stunning example of both mediums as art forms. While Hollywood has been working on a live-action Akira movie for a few years now, we, as fans, wanted to take a shot at making our own adaptation. A chance to stick as close to the source material as possible. A chance to do Akira Justice. We launched an Indiegogo campaign in July 2012 as part of a crowd sourcing effort to make this project come to life. Many people contributed not just financially but offered their time and talent to help the production that was shot in Montreal, Quebec from November 2-5th 2012. What started out as a simple idea between two guys having a beer (Hey! It’d be cool to see Kaneda ride his bike around Neo-Tokyo!), became a global endeavour, filled with adventures and hurdles, involving more than 40 artists in 12 different countries. After a year and a half in post-production, we are proud to present the project to Akira fans the world over. We hope to have done justice to the timeless work of Katsuhiro Otomo and look forward to, someday, seeing the full scope of the Akira story translated to the big screen as a live-action.

If you are a UK passport holder and are planning a trip to the People’s Republic of China, you must obtain a Chinese visa prior to arriving in China. If you don't have a Chinese visa you will be refused entry at the passport control. The rules are strict, and you must follow them. To Obtain your Chinese visa simply select one of the tabs located at the top of this website which is most relevant to your situation, ie. Chinese Business Visa or Chinese Tourism Visa etc. You DON'T need a visa for Hong Kong or Macau SAR if you are visiting for less than 90 days (if you hold a UK passport). There are several different types of visa, each one having a letter to identify it such as 'L-Visa' which stands for Chinese Tourism Visa, or ‘F-Visa’ which stands for Chinese Business Visa. Other visas’ are ‘X-Visa’ which is a Study Visa, ‘Z-Visa’ which is a Work Visa and a ‘J-Visa’ which is for Journalists. Visa's don’t have to be submitted and collected in person, a nominated friend or colleague can submit on the applicants behalf. A Chinese visa single entry is valid for three months from the issue date, So you must enter mainland China within 3 months of the date of issue. If you don't the visa will have expired, and you will be refused entry. A Chinese visa double entry is valid for six months from the issue date, So you must enter mainland China within 6 months of the date of issue. If you don't the visa will have expired, and you will be refused entry. Visas’ are generally granted, but be warned that they are especially careful in vetting applicants who were born in China and now hold a UK passport, or who are second generation Chinese immigrants (ie if your parents were born in mainland China). You will have to submit copies of your birth certificate as well as the other documents they ask for, and the applications can take a little longer. For all visa types, your passport MUST have at least six months validity left on it, and MUST have two empty visa pages. Help and Advice Chinese Visa General Line: 0161 260 0335 There are a number of different types of visas for those interested in traveling to China. This website will describe these different types of visa, as well as how to fill out the application form that is required to be completed in order to get one. Should you have questions regarding Getting a Visa for China, please get in touch with us and a visa specialist will answer all your questions.

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana}p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; text-align: center; font: 14.0px Verdana}p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; text-align: center; font: 10.0px Verdana}p.p5 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana}p.p6 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana}p.p7 {margin: 0.0px 0.0px 0.0px 0.0px; text-align: center; font: 12.0px Verdana}span.s1 {text-decoration: underline ; color: #0433ff}table.t1 {border-collapse: collapse}td.td1 {width: 229.5px; height: auto; border-style: solid; border-width: 0.0px 0.0px 0.0px 0.0px; border-color: #cbcbcb #cbcbcb #cbcbcb #cbcbcb; padding: 0.0px 0.0px 0.0px 0.0px}td.td2 {width: 193.5px; height: auto; border-style: solid; border-width: 0.0px 0.0px 0.0px 0.0px; border-color: #cbcbcb #cbcbcb #cbcbcb #cbcbcb; padding: 0.0px 0.0px 0.0px 0.0px}td.td3 {width: 229.5px; height: auto; border-style: solid; border-width: 0.0px 0.0px 0.0px 0.0px; border-color: #cbcbcb #cbcbcb #cbcbcb #cbcbcb; padding: 0.0px 0.0px 0.0px 0.0px}td.td4 {width: 18.6px; height: auto; border-style: solid; border-width: 0.0px 0.0px 0.0px 0.0px; border-color: #cbcbcb #cbcbcb #cbcbcb #cbcbcb; padding: 0.0px 0.0px 0.0px 0.0px}td.td5 {width: 174.9px; height: auto; border-style: solid; border-width: 0.0px 0.0px 0.0px 0.0px; border-color: #cbcbcb #cbcbcb #cbcbcb #cbcbcb; padding: 0.0px 0.0px 0.0px 0.0px}td.td6 {width: 229.5px; height: auto; border-style: solid; border-width: 0.0px 0.0px 0.0px 0.0px; border-color: #cbcbcb #cbcbcb #cbcbcb #cbcbcb; padding: 0.0px 0.0px 0.0px 0.0px}td.td7 {width: 18.6px; height: auto; border-style: solid; border-width: 0.0px 0.0px 0.0px 0.0px; border-color: #cbcbcb #cbcbcb #cbcbcb #cbcbcb; padding: 0.0px 0.0px 0.0px 0.0px}td.td8 {width: 174.9px; height: auto; border-style: solid; border-width: 0.0px 0.0px 0.0px 0.0px; border-color: #cbcbcb #cbcbcb #cbcbcb #cbcbcb; padding: 0.0px 0.0px 0.0px 0.0px}td.td9 {width: 63.0px; height: auto; border-style: solid; border-width: 0.0px 0.0px 0.0px 0.0px; border-color: #cbcbcb #cbcbcb #cbcbcb #cbcbcb; padding: 0.0px 0.0px 0.0px 0.0px}td.td10 {width: 85px; height: auto; border-style: solid; border-width: 0.0px 0.0px 0.0px 0.0px; border-color: #cbcbcb #cbcbcb #cbcbcb #cbcbcb; padding: 0.0px 0.0px 0.0px 0.0px}td.td11 {width: 45.0px; height: auto; border-style: solid; border-width: 0.0px 0.0px 0.0px 0.0px; border-color: #cbcbcb #cbcbcb #cbcbcb #cbcbcb; padding: 0.0px 0.0px 0.0px 0.0px}td.td12 {width: 75px; height: auto; border-style: solid; border-width: 0.0px 0.0px 0.0px 0.0px; border-color: #cbcbcb #cbcbcb #cbcbcb #cbcbcb; padding: 0.0px 0.0px 0.0px 0.0px}MATCH REPORT Sunday, May 21, 2017 Capelli Sport Stadium Rochester Rhinos 1 Forbes 32’ Richmond Kickers 1 Gonzalez 45’ ROCHESTER, NY – The Richmond Kickers (2-4-3) came away with a 1-1 draw in their first of a three-match road trip at the Rochester Rhinos (2-1-3) Sunday night. Kenardo Forbes opened the scoring in the 32nd minute for the Rhinos. Raul Gonzalez would score both his first goal for Richmond and his first professional goal to give the Kickers a point on the road. The home side would try to get on the attack early in the first half calling Matt Turner into action in the 4th minute. Stefan Defregger collected the ball out wide and found an opening to slot the ball through to Mike Garzi making the run into the box. Garzi would take a shot quickly, without much power on it, as Turner would make the save. Richmond would try to put together an attack in the 17th minute. After winning the ball in the midfield, Alex Lee feeds the ball up the wing and finds Alhaji Kamara making the run towards the corner. Kamara sent his cross in looking for Luiz Fernando making the near post run as Tomas Gomez needed to come out to meet the cross and prevent any chance from Fernando. The Rhinos nearly took a lead just two minutes later. Gomez plays the ball down field and finds Bradley Kamden Fewo in the corner. Kamden Fewo would get to the end line and play the ball across goal to Garzi on the far side. He could not get a shot off and laid it off to Forbes at the top of the box for a shot on goal that Turner is able to block. The rebound falls to Defregger and he slots it in, but the offside flag goes up negating the goal. Kenardo Forbes broke the deadlock in the 32nd minute for the Rhinos. Darius Madison controlled the ball at the top of the box, unable to turn because of multiple Kickers defenders. Forbes makes a run towards the box and Shanosky is nearly able to prevent it, but Forbes gets enough on the ball to play it off a sliding Turner and then easily put away the rebound towards the far side of goal. Just before the halftime break, Raul Gonzalez would put away a free kick to draw the Kickers level in the 45th minute. Samuel Asante collected the ball in the midfield and started to make a run towards the Rochester box, as Ryan Felix stuck his leg out to try and make a stop and ended up drawing a foul on Asante. Raul Gonzalez stepped up to take the free kick. A previous free kick by Gonzalez was lofted in looking for a near post run. This time Gonzalez put power on his free kick and snuck it in the near post past Gomez for his first professional goal. Two minutes into the second half, Rochester looked to get back into the lead through Mike Garzi. Jordan Dover played the ball out wide to Brandon Beresford. Beresford played his cross in finding Garzi at the top of the box. Garzi took a touch and then tried a shot on the volley and it went high of Turner’s goal causing no threat. Gonzalez had another chance on goal from a free kick in the 60th minute. This time it was Gonzalez that was fouled by Forbes in nearly the same spot as the first half goal. Gonzalez stepped up looking to create the same magic as his shot ended in the hands of Gomez in goal. The Rhinos tried to create another dangerous opportunity in the 63rd minute. Kenardo Forbes once again was in on the attack and played the ball to Kamden Fewo looking to get the ball back. Kamden Fewo instead turned his shot on target as Turner was there with the save. Rochester’s most dangerous opportunity of the second half came in the 73rd minute. Only on the field for five minutes, Antonio Correia was able to put a shot on frame after getting a pass from Sofiane Tergou out wide. Turner would block the initial shot as the ball fell to Madison. He would have a chance on goal that Troyer was able to get in front of to clear away. The Kickers continue their three-match road trip as they head to Toronto FC II Wednesday with an early kickoff at 12PM. Following that match, the Kickers conclude their road trip with a stop to face Ottawa Fury FC Sunday at 2PM. All matches are available streaming online at USLsoccer.com/match-center. HIGHLIGHTS presented by Box Score First Half Second Half Final Rochester 1 0 1 Richmond 1 0 1 LineupsRhinos: GK Tomas Gomez, Joe Farrell, Ryan Felix, Ryan James, Jordan Dover, Kenardo Forbes, Stefan Defregger, Bradley Kamden Fewo (69’ – Sofiane Tergou), Mike Garzi, Brandon Beresford (68’ – Antonio Correia), Darius Madison (82’ – Samuel Edoung-Biyo) Kickers: GK Matt Turner, Mallan Roberts, Conor Shanosky, Alex Lee, Braeden Troyer, Yudai Imura, Samuel Asante, Raul Gonzalez (78’ – Evan Lee), Fred Owusu Sekyere (66’ – Oliver Minatel), Alhaji Kamara (83’ – Mikey Minutillo), Luiz Fernando Statistics Shots Saves Fouls Corners Rochester 9 1 22 1 Richmond 5 4 10 1 Scoring Summary32nd Minute: Rochester: Kenardo Forbes45th Minute: Richmond: Raul Gonzalez Cautions16th Minute: Rochester: Brandon Beresford73rd Minute: Rochester: Joseph Farrell81st Minute: Richmond: Samuel Asante85th Minute: Rochester: Ryan Felix EjectionsNone. Referee: Henrik KarlssonAssistant Referees: Joe Zawistowski, Richard ZayasFourth Official: Juan ColazoAttendance: 2,003Weather: Cloudy, 69ºF

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SMPTE® 2017 Annual Technical Conference & Exhibition, Oct. 24-26 in Hollywood: Renowned Media and Entertainment Technology Event Will Follow Daylong SMPTE 2017 Symposium Focusing on AI and Machine Learning in Digital Media Creation SMPTE, the organization whose standards work has supported a century of advances in entertainment technology, has opened registration for the SMPTE 2017 Annual Technical Conference & Exhibition (SMPTE 2017), Oct. 24-26 in Hollywood, California, as well as for the SMPTE 2017 Symposium preceding the conference on Oct. 23. Early bird rates are available now through Aug. 12. SMPTE’s Annual Technical Conference & Exhibition is the world’s premier forum for the exploration of media and entertainment technology. Taking place at the Hollywood & Highland Center, the event will fill two exhibit halls and multiple session rooms. SMPTE 2017 will also feature a beer garden, Broadcast Beat’s SMPTE 2017 Live! Studio, and a series of special events culminating with the Annual SMPTE Awards Gala hosted in the Loews Hollywood Hotel’s Hollywood Ballroom on the evening of Thursday, Oct. 26. “The rapid pace of change in the media and entertainment industry makes the SMPTE Annual Conference & Exhibition a critically important event for anyone wishing to experience and understand the latest advances in motion-imaging and audio,” said SMPTE Education Vice President Richard Welsh. “For four days in October, Hollywood will be the place to learn about the research, standards, technologies, and techniques that are enabling amazing new experiences for media consumers worldwide.” Titled “Artificial Intelligence (AI) and Machine Learning in Digital Media Creation: The Promise, The Reality, and The (Scary?) Future,” the day-long SMPTE 2017 Symposium on Oct. 23 will examine how these technologies have gained significant traction in the creation of digital media. Presenters will offer practical use cases throught the production chain — including story and script development, music composition, contextual analysis of dailies, edit preparation, imaging processing, visual effects (VXF) preparation, and audience engagement, along with discoverability and distribution of content. Experts and visionaries in the field will assist attendees in establishing a firm foundation for understanding a technology which may eventually disrupt the media and entertainment industry. The Symposium is included with select conference packages or as an add-on or stand-alone registration. The SMPTE 2017 program committee is chaired by SMPTE Fellows Paul Chapman, senior vice president of technology at Fotokem; Thomas Edwards, vice president of technology and engineering at FOX; and Sara Kudrle, product marketing manager at Imagine Communications. Technical conference sessions will address topics including advances in display technologies; cinema processing and projection technology; larger color and dynamic range; compression; content management and storage, restoration, and preservation; content security; virtual, augmented, and mixed reality (VR, AR, and MR); media infrastructure (SMPTE ST 2110) and distribution; image acquisition and processing; new techniques in audio; quality assurance and monitoring;; workflow systems management; cloud technologies; and encouraging diversity technology. The conference and exhibition schedule includes the usual wealth of technical sessions and networking opportunities, as well as an array of special events. Monday, Oct. 23 • The SMPTE 2017 Symposium will take place throughout the day. SMPTE and Hollywood Professional Association (HPA) Women In Post will present the annual Women in Technology Luncheon, which provides guests the opportunity to discuss ways to increase diversity in the media and entertainment workplace. Tickets are available for purchase separately or as an add-on with conference registration. • The SMPTE-HPA Student Film Festival will highlight the creative use of technology to support the art and craft of storytelling. Screenings will showcase outstanding short films submitted by students from around the world. Tickets are available separately or as an add-on with conference registration. Tickets are free for students, and a donation to the SMPTE Education Fund is suggested for other attendees. Tuesday, Oct. 24 • Day one of the SMPTE 2017 technical conference sessions will feature the opening keynote. • The Ray Dolby and Centennial Exhibit Halls will open at noon. • The Fellows Luncheon, open exclusively to SMPTE Fellows and Life Fellows, will honor the industry leaders newly elevated to Fellow status. SMPTE Fellows who wish to attend must select tickets with their conference registration. • The SMPTE Annual General Membership Meeting is open to all conference attendees, and no separate ticket is required. • The Oktoberfest Reception in the Centennial Exhibit Hall is open to all attendees, and no separate ticket is required. Wednesday, Oct. 25 • Day two of the SMPTE 2017 technical conference sessions will extend the entire day. from 8:30 a.m. to 4:45 p.m. • The Ray Dolby and Centennial Exhibit Halls will open at 10:00 a.m., and an evening reception in the Ray Dolby Exhibit Hall is open to all conference attendees from 5:00-7:00 p.m.., No separate ticket is required. Thursday, Oct. 26 • Day three of SMPTE 2017 technical conference sessions will extend the entire day, with both exhibit halls open from 10:00 a.m. to 2:00 p.m. • The Annual SMPTE Awards Gala will welcome ticketed guests on the red carpet and treat them to a reception and dinner  honoring industry leaders. Tickets are available for purchase separately or as an add-on with conference registration. Tickets for many SMPTE 2017 events are limited, and early registration is encouraged. Early-bird registration pricing is available now through Aug. 12. Attendees also can save by taking advantage of the SMPTE group room rate at the Loews Hollywood Hotel, where a limited block of reduced-rate rooms will be available through Sept. 20, or while rooms remain available. In addition to registering, prospective exhibitors may still secure prime exhibit space now, and sponsorship opportunities are available. Further information about SMPTE 2017 and the SMPTE 2017 Symposium is available at www.smpte2017.org. Additional information about SMPTE is available at www.smpte.org. For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. SMPTE has developed thousands of standards, recommended practices, and engineering guidelines, more than 800 of which are currently in force today. SMPTE Time Code™ and the ubiquitous SMPTE Color Bars™ are just two examples of SMPTE’s notable work. As it enters its second century, SMPTE is shaping the next generation of standards and providing education for the industry to ensure interoperability as the industry evolves further into IT- and IP-based workflows. SMPTE’s global membership today includes more than 7,000 members: motion-imaging executives, creatives, technologists, researchers, and students who volunteer their time and expertise to SMPTE’s standards development and educational initiatives. A partnership with the Hollywood Professional Association (HPA) connects SMPTE and its membership with the businesses and individuals who support the creation and finishing of media content. Information on joining SMPTE is available at www.smpte.org/join. All trademarks appearing herein are the property of their respective owners.

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